| The Logic of Ecstasy: Canadian Mystical Painting, 1920-1940 |
Davis, Ann.
|
1992 |
University of Toronto Press
|
| Documenting Design: Works on Paper in the European Collection of the Royal Ontario Museum |
Collinson, Howard Creel.
|
1993 |
University of Toronto Press
|
| Artistic Integration in Gothic Buildings |
|
1995 |
University of Toronto Press
|
| How to Build Almost Anything Starting with Practically Nothing |
Russell, Mike.
|
1993 |
Camden House Publishing
|
| Robin Ward's Heritage West Coast |
Ward, Robin.
|
1993 |
Harbour Publishing
|
| A Place for Art: The Architecture of the National Gallery of Canada |
Rybczynski, Witold.
|
1993 |
National Gallery of Canada
|
| Bella Pittura: The Art of the Gandolfi |
Cazort, Mimi.
|
1993 |
National Gallery of Canada
|
| Documenting Design: Works on Paper in the European Collection of the Royal Ontario Museum |
Collinson, Howard Creel.
|
1993 |
University of Toronto Press
|
| A Second Look at Calgary's Public Art |
Kwasny, Barbara.
|
1992 |
Detselig Enterprises
|
| The Logic of Ecstasy: Canadian Mystical Painting, 1920-1940 |
Davis, Ann.
|
1992 |
University of Toronto Press
|
| Free Worlds: Metaphors and Realities in Contemporary Hungarian Art |
Nasgaard, Roald.
|
1991 |
Art Gallery of Ontario
|
| Hidden Cities: Art and Design in Architectural Details of Vancouver and Victoria |
Edwards, Gregory.
|
1991 |
Talonbooks
|
| A History of Canadian Architecture, Volumes 1 and 2 |
Kalman, Harold.
|
1994 |
Oxford University Press Canada
|
| Queues, Rendezvous, Riots: Questioning the Public in Art and Architecture |
|
1994 |
Walter Phillips Gallery
|
| Twelve Modern Houses 1945-1985 |
Livesey, Graham, Michael McMordie, and Geoffrey Simmins.
|
1995 |
University of Calgary Press
|
| Artistic Integration in Gothic Buildings |
|
1995 |
University of Toronto Press
|
